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Stapleton represents everything one could ever ask for from a country artist, and Starting Over is a straightforward shot of overwhelmingly enjoyable songwriting that no other modern artist could deliver.Īs the story goes, My Morning Jacket didn’t intended to release The Waterfall II now, but frontman Jim James heard some of the unreleased recordings from 2015’s sprawling sessions for The Waterfall and decided to use the free time opened up from the pandemic to complete the second release. There’s no clever shtick here, no wild concepts, no re-invention - and that’s what makes Starting Over such a success. Musical arrangements can lean toward classic soul, to the extent that the strings on “Cold” could have been found on a Sam Cooke record. His vocal prowess is undeniable, using sharp dynamics that can seamlessly move from a croon to a shout, all without sacrificing melody. Though Stapleton keeps one foot grounded in Nashville country tradition, it’s where the other foot lands that makes Starting Over so compelling. Without even seeming to try, Stapleton created one of the most catchy, honest and lovable albums of the year. Starting Over has everything a fan could want from Stapleton - massive, blues-informed guitar riffs with gritty-yet-melodic vocals, beautiful acoustic ballads, lyrical themes that range from drinking anthems to Nashville living to his love for his wife (who is featured on vocals throughout the album) to a heartfelt ode to the passing of his dog- and it all sound so easy. If any one word exemplifies Starting Over, it would be ‘timeless.’ Soulful outlaw-country singer-songwriter Chris Stapleton’s newest album matches the incredible impact and power of his 2015 solo debut, Traveller, which is no small feat. Shauf’s soft vocal delivery remains a dominant focus, his expert storytelling abilities pulling the listener in throughout.Īn all-around brilliant production, The Neon Skyline is the sort of fully-realized work of art that doesn’t come around often. While guitar, piano, bass and drums may hold the arrangements together, the inclusion of oboe and other woodwinds helps set each scene as the narrator navigates the storyline. Musically, Shauf seals the deal, creating melancholy, often whimsical indie-folk, performing all instruments himself.
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While that may sound simple, the plot unravels, becoming anything but, as the narrator analyzes the failed relationship, his present state and the emotional patterns and tendencies that led to both. Taking place over the course of a single night at two of the narrator’s favorite bars, the songs follow an exchange with a friend and fellow bar-regular, where he learns that his ex-girlfriend is back in town.
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Lyrically, the album reads like a short novel, the songs containing dialogue, characters and detailed settings throughout. The concept album requires the sort of uninterrupted, focused listening that too rarely exists in the digital age, and listeners would be wise to follow along with the lyrics throughout. The sheer creativity of The Neon Skyline, the fifth full-length album from Canadian songwriter Andy Shauf, makes the record an essential listen from this past year. And, if we’re lucky, a message we can learn from. What did you expect? But with underlying themes of empowering and not blaming women, of the inherently unacceptable excuses made for lying and cheating, and the raw emotions and realizations that follow after, it’s simultaneously gorgeous and ugly.įetch The Bolt Cutters is the sound of creative freedom at its best, an inimitable musical design where listeners can pour over the lyrics for years to come. Sure it’s another bitter breakup album from Fiona Apple. From the stacks of percussion instruments creating a backdrop to the constantly shifting vocal melodies to the most important aspect - the density of the lyrics. But Apples’ fifth album revels in the idea of density. If what you’re looking for is familiar sounds and soaring guitar solos, this obviously wasn’t made for you. When it comes to songwriting, musicianship, production, and overall creativity, Fetch The Bolt Cutters is simply unsurpassable. So, yet again, here are my favorite albums from 2020.
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Though the pandemic cut live music out of the picture, there were still so many incredible new recordings to help music fans get through it. For more than a decade, I've made it a tradition to compile my favorite albums of each year come January, using the months prior to revisit and reevaluate hundreds of albums.